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Audiopile has been providing sound and lighting production services for live events in the Inland Empire for over 20 years. The services available are tailored for small to medium sized venues and budgets suitable for local community events. Suitable sized events are 50 to 500 attendees with acts requiring up-to 24 inputs and 4 discreet monitor mixes. Lighting is also available. Prices vary depending on requirements and venue type, but typically range from $200 to $750 per show.

Audiopile is affiliated with Concert Production Services of Kennewick. For more information concerning larger jobs please contact CPS: www.concertprosvcs.com

W. Mark Hellinger (the guy in the shop)
Liz Hellinger (the gal in the office)
Company Name: Audiopile
Mailing Address: P.O. Box 6
Town: Farmington, WA 99128

FOH Systems:

1) Speakers, Meyer system:

A) 8 ea. Meyer UPA-1A mid-highs

B) 4 ea. Meyer 650-R2 subs

C) 4 ea. Meyer USW subs

D) Amps: 6 ea. E&W AL-1600

E) Processing:

1) 2 ea. Meyer M-1A mid-high processors

2) 2 ea. Meyer B-2A sub processor

2) Speakers, EAW system:

A) Subs: 2 ea. EAW JF 330: 1 x 18" cubes with pole cups on top

B) Mid-Highs: 2 ea. EAW JF260 1 x 12" & 1 1/2" with pole cups

C) Amps: E&W PS-1000 and E&W AL-1600

D) Processing: Meyer B-2A sub processor

3) FOH Consoles:

Soundcraft Venue II

A) 24 x 8 x 2

B) 6 aux sends (selectable pre or post in groups of 2)

C) 4 Band EQ, parametric on mid lows and mid highs on inputs

E) 48V Phantom selectable on each channel

F) Redundant Power Supply

G) Physical: Weight: Approx 100lbs. Width: 42 inches out of case, 48 inches in case.

Soundcraft Spirit Live 4-24x4x2

A) 24 mono inputs, 4 stereo inputs

B) 4 sub groups

C) Stereo and mono main outputs

D) 5 aux sends (3 pre, 2 post)

E) Parametric EQ on 24 mono inputs with sweep mids and sweep lows.

F) Global 48V Phantom

G) Redundant Power Supply

H) Physical: Weight: Approx 70lbs. in case Width: 43 inches out of case, 55 inches in case

Soundcraft Spirit Live 4MK2 16x4x2

A) 16 mono inputs, 4 stereo inputs

B) 4 sub groups

C) Stereo and mono main outputs

D) 6 aux sends (3 pre, 3 post)

E) Parametric EQ on 16 mono inputs with sweep mids and sweep lows.

F) Global 48V Phantom

G) Mute groups

H) Redundant Power Supply

I) Physical: Weight: Approx 60lbs. in case Width: 33 inches out of case, 55 inches in case

4) FOH EQ and Effects

A) 2 ea. White 4650 1/3 oct. EQ.

B) 2 ea. dbx 166A Stereo Comp (2 ch. total)

C) 1 ea. Yamaha SPX 900 Multi-effect processor

D) 1 ea. Roland SDE-1000 Delay

E) 1 ea. Sony R7 Verb

F) 2 ea. JBL M644 quad gates (8 ch. total)

Monitor Systems:

1) Wedges:

A) 4 ea. JBL 4602 passive 12" and bullet. Max SPL: Approx 130dB 60Hz to 20KHz.

B) 2 ea. JBL 4604 passive or bi-ampable 15" and 1". Max SPL: Approx 132dB 40Hz to 15KHz

C) 4 ea. EAW JF-100: 10" & 1" microwedges

2) Amps: 3 ea. E&W PS-1000 (350w stereo 8 ohms) & 1 ea. E&W PS-2000 (600w stereo 8 ohms)

3) EQ: 4 ea. ART 350HD 1/3 oct. (High Definition with 75mm Faders)

Mics & Stands:

1) 12 K&M tripod boom mic stands

2) 4 Squatty tripod boom mic stands

3) 6 Straight mic stands

4) 4 ea. SM-58 vocal mics

5) 2 ea. SM-57 vocal mics

6) 1 ea. Audix D4 (kick, floor tom, or sax mic)

7) 4 ea. AP-300C condensers (similar to AKG C451B or Shure SM-81)

8) 1 ea. AKG D112 kick drum mic

9) 1 ea. EV N/D 257 vocal mic

10) 6 ea. AP-V1 vocal mics (similar to Beta 57... little more handling noise though... good basic vocal or instrument mics)

11) 1 ea. SM-56

12) 4 ea. LDB-101 active DI's (similar to Countryman 85)

13) 4 ea. Shure SC4 VHF wireless with SM-58 handhelds and lapel mics with beltpacks.

14) 3 ea. Shure SM-87 mics

15) 2 ea. AT Pro 41's

16) 1 ea. Sennheiser 835

17) 1 ea. Audix D2 drum mic

Lighting:

1) Lighting Consoles:

A) Leprecon LP-1536: 36ch. DMX

B) Leprecon LP-612: 12ch. DMX

2) 48 ea. Thomas Par 64 on Thomas 6 bar with Socopex. 24ea. loaded with 500w medium, 24 ea. loaded with 1K narrow.

3) 2 ea. Strand 6 x 9 (750W) Leko's

4) 4 ea. 10ft. x 12" Applied Electronics Square Truss (40ft. total)

5) 4 ea. 8ft. x 14" Applied Electronics Triangle Truss (32ft. total)

6) 2 ea. Applied Electronics 16ft. towers

7) 2 ea. Applied Electronics 12ft. towers

8) 2 ea. Applied Electronics 10ft. towers

9) 220V Dimmer rack:

A) 4 ea. Leprecon LD-2400 dimmers: 6 x 2400w ea.

B) Leprecon dimmer rack 200A power distro

C) Leprecon 48ch. Hot Patch and 8 jack Socopex panel

D) Anvil Roadcase

10) 117V Dimmer packs: 2 ea. Leprecon LD 360: 6ch. 1800w 110v packs

11) 9 ea. Asst Socopex cables.

12) Approx 150ft. x 4 x 2 ott with camlocks feeder cable: 200 amp 220V

13) 2 ea. Lighting Meat Racks, 4 Thomas 6 bar cap. ea.

14) Approx 60 various gels & frames

15) Lycian 1207 Follow spot (2w KW)

Audio Snakes:

EWI RPPX-24-8-100 reel snake in case

EWI RPPX-24-8-150 reel snake in case

Many other assorted subsnakes.

Mic and Patch cables: Approx 50ea. EWI Starline

Backline:

1) Ampeg SVT-CL (tube) & 8-10 cab.

2) Trace Ellioit AH350SM (350W head) and 2103H Cab (2 x 10" & HF) and 1048 cab (4 x 10")

3) Fender Twin (mid '70's, restored by Don Johnson, loaded with Celestions, sweet!)

Transportation:

1) Cases: Most all are Anvil or EWI Tourcase brand, cases for everything.

2) Truck: 1994 Fuso FK 26,000 GVW, 1500lbs. cap. lift-gate and ramp.

Additional Power Distro:

1) 2 ea. Hubble 50A 220V Spider Boxes: 8 ea. 20A 110V branch circuits ea.

2) 4 ea. 100ft. # 6-4 50A 220V feeder cable with Hubble Twistlocks

3) Approx 20 various 20ft. to 100ft. 12ga. 20A 110V extension cables.

4) 20 ea. 12ga. 20A 110V Quad Boxes